- Fri May 17, 2013 6:10 am
#367900

Crichton got a quote for generating the computer imagery from the Jet Propulsion Laboratory in Pasadena. He was told that the two minutes of footage would cost two hundred thousand dollars and require nine months—both prohibitive. He turned to a maker of abstract films, John Whitney, Sr., famed in art and film circles for his work creating animation with military-surplus analog electronics and motor assemblies. Whitney referred Crichton to his son, John Whitney, Jr., who was eager to follow in his father’s footsteps as an experimental filmmaker, but using computers. He agreed to do the effects in four months for twenty thousand dollars.
http://www.newyorker.com/online/blogs/e ... ovies.html

Crichton got a quote for generating the computer imagery from the Jet Propulsion Laboratory in Pasadena. He was told that the two minutes of footage would cost two hundred thousand dollars and require nine months—both prohibitive. He turned to a maker of abstract films, John Whitney, Sr., famed in art and film circles for his work creating animation with military-surplus analog electronics and motor assemblies. Whitney referred Crichton to his son, John Whitney, Jr., who was eager to follow in his father’s footsteps as an experimental filmmaker, but using computers. He agreed to do the effects in four months for twenty thousand dollars.
http://www.newyorker.com/online/blogs/e ... ovies.html


- By Mark Bell