Hey! That's what i thought about just yesterdayJulian wrote:
Hey carstenquilitz - thats not a good situation I agree and it really is a complete misunderstanding on your clients part - but as you say what can you do about that!
Personally I would ask him if he would be happy to do a print that size from say a Phase One P45+ digital medium format camera ($35,000) or maybe the Canon 1Ds studio 35mm ($8000) - they seem to work for most of the advertising industry, and guess what- the resolutions are 7216x5412 and 4992x3328 respectively, mmm...
good luck and remember the magic word - 'resample'!
You are right about the money and I find it is sometimes wise in a situation like this to ask to see some previous work - ie this reference point that they use for their 'must have' high res. renders - and more often than not it will not be up to the standard you assume they want - as you said earlier Boris, the previous guy used scanline and diffuse - if thats their reference point, and thats what they are asking for great! 20,000x20,000 anyone?!!Boris Ulzibat wrote:Hey! That's what i thought about just yesterday
But the answer as always will be - if you can't do it - someone else can. That's he, who will get the money.
I just have XP, not 32 or 64. What effect does that have have for rendering?Julian wrote:it will say 64 on the splash screen (black with windows logo) when you start up and probably in control panel - system. very unlikely to be 64 if it was made then I think.
Well XP is 32bit and comes in two flavours, the major difference being that XP-Pro allows the use of multiple CPU's (dual Xeon for example) whereas XP-Home only allows the use of one CPU. I am not sure if XP Home allows multiple cores within one processor, I suspect it would have to.w i l l wrote:I just have XP, not 32 or 64. What effect does that have have for rendering?
Julian wrote:Have any of you guys checked out Blow-up from Alien Skin?
http://www.alienskin.com/blowup/index.html
I havent had chance to try it myself but will do at some point. Obviously it claims to be the answer to all our problems but it does appear to do incredibly well with certain types of images, mainly with clean lines etc (which probably puts anyone using maxwell out of the running!) - might be worth a look though
Yep. The main thing for me in scaling is loosing as few detail as possible - BlowUp appears to handle it good enough.Julian wrote:add a bit of sharpen, denoise and film grain...
...depending on the viewing distance you'd probably get away with that no problem
I found Neat Image software to be quite good, but maybe this is just my amature way.Julian wrote:well, sometimes the best way to disguise irregular noise is to add high quality 'film' noise that responds predictably to the tones, although it should be fairly subtle - this increases the percieved detail and can also be used to help avoid banding in gradients when printing.