John: Thank you

but those stones are infact candy, but that's not easy to see as they look like stones. I made a rough example that shows the basic setup i use for these type of macroshots, although the lightsource position, angle and distance from the subject varies depending on what i'm gonna shoot. But this is the basics of the setup.
The setup uses a bunch of standard plain white copypaper bent between the upper and lower parts of my desk to get a nice smooth bent transition where the scene sorta fades off in the background in a nice way. And the lightsource is my desklamp, a common compact flourescent lamp which provides a slight yellowish tone which can often be seen in my macro's.
In this example below i used a small stone just to demonstrate how it's done, as you can see there's really no magic to it. Pretty much straight down setup, adjust the lamp, adjust the camera, point and shoot!

that's all..
And the result with this setup above can be seen below
What should be said is that i ofcourse run the photos through Photoshop to crop them, coloradjust and minor sharpening if necessary like most other photographers do. As long as you have a good enough looking raw material to work with then it's all good. Btw, everything is photographed in raw format to aid postwork in PS.
Hervé: Thank you sir

but hehe i'm hardly a "master" at this, i know there are real professional photographers on this forum and they can shoot much much better than this. I just do it for fun and practise now, it helps when you do 3d later on as you learn to see surface structure, details, light behaviour, shadowplay and much more..
Hehe, a worm inside

you shoulda eaten that, it's nutrition and perhaps a bit salty which is good for you, but not for the worm..
/ Max