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By tom
#354091
dmeyer wrote:For product or package visualization we will often get many variations of artwork designs in CMYK Illustrator format, with of course "white" as the negative space.
When these are rasterized to RGB you end up with an uncalibrated "linear" image but that includes white as the "not printed area."
Being quite fluent in desktop publishing and color management, I can't say I understand your workflow in this conversion. It does not really matter in what color space you create the artwork and making a CMYK to RGB conversion doesn't mean you ended up with a linear image at all. What's the destination RGB profile you're using in Illustrator?
By dmeyer
#354096
tom wrote:
dmeyer wrote:For product or package visualization we will often get many variations of artwork designs in CMYK Illustrator format, with of course "white" as the negative space.
When these are rasterized to RGB you end up with an uncalibrated "linear" image but that includes white as the "not printed area."
Being quite fluent in desktop publishing and color management, I can't say I understand your workflow in this conversion. It does not really matter in what color space you create the artwork and making a CMYK to RGB conversion doesn't mean you ended up with a linear image at all. What's the destination RGB profile you're using in Illustrator?
Ok - sorry for the confusion. Upon further inspection it appears that when testing with PNG export out of Illustrator that Photoshop was not picking up the profile for some reason, but is with PSD and TIFF.

I suppose the question is then should we be applying any gamma to this before feeding it to maxwell?
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