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Posted: **Mon Mar 16, 2009 2:09 pm**

http://www.vizdepot.com/forums/articles ... e&artid=82

Posted: **Mon Mar 16, 2009 4:23 pm**

beatiful compositing!! .. great natural environment, but the artificial lensflare kills it, imho. otherwise top.

Posted: **Mon Mar 16, 2009 5:18 pm**

polynurb wrote:beatiful compositing!! .. great natural environment, but the artificial lensflare kills it, imho. otherwise top.

yeah, I kind of like the rendering better

Posted: **Mon Mar 16, 2009 8:14 pm**

Leonardo wrote:yeah, I kind of like the rendering better

That's what I was thinking!

Posted: **Mon Mar 16, 2009 10:17 pm**

Way over the top, what was he thinking

Posted: **Tue Mar 17, 2009 1:50 am**

It's a great display of artistic license.......who is to say that it's way over the top, correctly done, or whatever?

In my opinion it displays a ton of character and that makes it interesting to look at, as well as the rest of his images.

Posted: **Tue Mar 17, 2009 1:51 am**

http://www.vizdepot.com/forums/articles ... ing-Master

Other imagery from the same set.

Posted: **Tue Mar 17, 2009 2:24 am**

For sure he got the skillz. Also take a look at http://vyonyx.com/ I personally don't give a monkey's if they look photoreal or not, all I can see is a great mode of expression.

Posted: **Tue Mar 17, 2009 2:16 pm**

yanada wrote:For sure he got the skillz. Also take a look at http://vyonyx.com/ I personally don't give a monkey's if they look photoreal or not, all I can see is a great mode of expression.

Interesting, it seems that his main client is Oppenheim... I know someone that works there

Posted: **Tue Mar 17, 2009 3:10 pm**

Leonardo wrote:
yanada wrote:For sure he got the skillz. Also take a look at http://vyonyx.com/ I personally don't give a monkey's if they look photoreal or not, all I can see is a great mode of expression.
Interesting, it seems that his main client is Oppenheim... I know someone that works there

I met them @ Norman Foster’s studio (they are fast)

Posted: **Tue Mar 17, 2009 3:13 pm**

yanada wrote:
Leonardo wrote:
yanada wrote:For sure he got the skillz. Also take a look at http://vyonyx.com/ I personally don't give a monkey's if they look photoreal or not, all I can see is a great mode of expression.
Interesting, it seems that his main client is Oppenheim... I know someone that works there
I met them @ Norman Foster’s studio (they are fast)

Just to clarify... I know people from Oppenheim... not from vyonyx

BTW, do you work with Norman Foster ?

Posted: **Tue Mar 17, 2009 8:58 pm**

I like the idea of doing some work in Phostoshop, though, instead of all in Maxwell.

For the yellow ring above -- a little cloning of yellow to the east; now it's irregular. A little cloning of wood back to the west; now it's chipped.

http://www.digitalartform.com/archives/ ... ender.html

Posted: **Tue Mar 17, 2009 9:01 pm**

You're right, so much easier that modelling all that detail.

Posted: **Wed Mar 18, 2009 3:50 am**

I love Alex Roman's post work...well I love all Alex Roman's works
http://thirdseventh.cgsociety.org/gallery/

Posted: **Wed Mar 18, 2009 10:42 am**

iker wrote:I love Alex Roman's post work...well I love all Alex Roman's works
http://thirdseventh.cgsociety.org/gallery/

Yeah! Alex is a machine!

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